- FABFILTER TIMELESS 2 VS H DALAY HOW TO
- FABFILTER TIMELESS 2 VS H DALAY MOD
- FABFILTER TIMELESS 2 VS H DALAY FREE
On self-oscillation: it’s a sound you’ve probably heard before (For reference, check out the ending of Radiohead’s Karma Police). With the latter, this is done by feeding the repeated sound back into the delay, hence the term feedback. Time controls how long it takes before a sound is first repeated, while feedback decides how many repeats there will be. That falls mainly on three ubiquitous delay controls: time, feedback (sometimes referred to as repeats or regen) and mix.
FABFILTER TIMELESS 2 VS H DALAY HOW TO
These will sound different based on your delay’s tone and temperament, and we’ll go through how to do that next… How do delays work?Īs their name suggests, a delay’s main function is to repeat (or echo) a sound a set number of times, and it’s on the user to decide how it should sound to best fit their production. Timeless 2 is well worth the asking price.They can also be applied creatively to create sonic webs and arpeggiated pulses – or even as a callback to a particular era of recording: throwing on some slapback delay onto a vocal or guitar track for a 50s-recording feel.ĭelays can also be “played” as instruments, achieving wild and pitchy fluctuations when you set them to self-oscillate. The more we threw at it, the more ideas it threw back, and we found ourselves whiling away hours, enthralled by what we were hearing.
FABFILTER TIMELESS 2 VS H DALAY FREE
There's no shortage of free delay plug-ins these days, but it's hard to put a price on inspiration, and Timeless is not only a versatile tool but a fun one, too. SummaryĪt the risk of repeating ourselves (ahem), everything we said about the original Timeless still stands. Therefore, you could, for example, apply a stronger delay effect to the side part of the signal while keeping the centrally panned information relatively dry.Īnd, in case you're wondering, mid/side processing comes from the technique of mid/side recording, which uses a cardioid mic to record the centre channel, and a mic with a figure-of-eight pickup pattern to capture the side information. This routes the mid (mono) and side (stereo) elements to separate delay lines, enabling you to treat them individually, before they're converted back to a conventional stereo signal.
However, there's another mode, offering the increasingly popular mid/side arrangement. Normally, you'll want to use Timeless 2 in the traditional 'Left/Right' mode, which enables two discrete channels of operation, each of which is pumped out of the appropriate output. From subtle ADT to swirling echoes, there's a lot of power offered here.
FABFILTER TIMELESS 2 VS H DALAY MOD
Each source is represented as a button in the middle bar and a click scrolls the relevant mod source at the bottom of the interface into view.Īs for hooking up sources to destinations, FabFilter's brilliant click-and-drag modulation routing and MIDI learn are still in place, making this one seriously malleable processor. There's a quartet of envelope followers, too.
So that's four more LFOs than last time and five more envelopes. One window alone can't contain this expandable plug-in, but rather than offering tabbed pages, Timeless 2's parameters are presented in a single, scrollable view, which is a good thing, considering that there are now six LFOs (newly fortified with 16 steps) and six envelopes, not to mention four X/Y pads. "There are four more LFOs than last time and five more envelopes."
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